Step-by-step guide to create a Fashion editorial
How many more times will
your editorials be ignored before
you realize what’s missing?
your editorials be ignored before
you realize what’s missing?
You invest in gear, rent studios,
build a team, learn from the best
but your work still gets passed over by magazines.
Stop guessing. Get the roadmap:
A real step-by-step plan for getting published
The exact references editors are looking for
100+ magazines with direct contacts
ready for your editorial
build a team, learn from the best
but your work still gets passed over by magazines.
Stop guessing. Get the roadmap:
A real step-by-step plan for getting published
The exact references editors are looking for
100+ magazines with direct contacts
ready for your editorial
AUTHOR'S COURSE BY JEANNE D'ART
Every step reveals real secrets and tools used by published photographers — not just “creative tips,” but the exact actions that get results and editor replies.
Shortcut your struggle: just follow the process.
Shortcut your struggle: just follow the process.
No more closed doors: you get the actual list of magazines (with editor contacts, by genre) where real photographers get published — and the rules for getting in, even if you have zero connections.
Online Learn When You Want
6 Proven Stages Zero Guesswork
Database
100+ Magazines,
100+ Magazines,
EVERYTHING THE INDUSTRY NEVER
TOLD YOU - FINALLY ALL IN ONE PLACE
TOLD YOU - FINALLY ALL IN ONE PLACE
No limits, no schedule. Dive in whenever you’re ready — and keep lifetime access to every strategy, template, and contact.
Build your breakthrough on your terms, at your pace.
Build your breakthrough on your terms, at your pace.
TIRED OF BEING INVISIBLE ?
THIS COURSE IS FOR YOU
THIS COURSE IS FOR YOU
This is for anyone who is done with being overlooked — whether you shoot, style, direct, edit, or manage. If you want to stop being just another name and finally get published this guide is your shortcut
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YOU ARE A PHOTOGRAPHERYou shoot and hustle but still feel stuck on the outside . This will get you into the world of real editorials -
YOU ARE AN ART DIRECTORYou have ideas and vision but need the roadmap and contacts to turn them into published stories -
YOU ARE A CONTENT MANAGERYou create every day but want results you can actually show off not just post -
YOU ARE A RETOUCHERYou know the software but want your work in real magazines not just portfolios -
YOU ARE A DIRECTOR OR PRODUCERYou want to understand how real fashion productions happen and how to get your work noticed -
YOU ARE A SET DESIGNER STYLIST MAKEUP ARTIST OR MODELYou want to break into the industry and get your name in print not just behind the scenes
YOU WILL KNOW
- Where to get an idea?
- How to create a mood board?
- What is a magazine pull letter?
- How to choose a location?
- Where to find the model?
- Where can I find a makeup artist and stylist?
- How to prepare for shooting?
- How to set up the camera?
- What lenses to use?
- Which projector to choose?
- How to build light?
- How to work with a model?
- How to organize the workflow of a shooting team?
- How to retouch photos?
- How to create a presentation to submit to a magazine?
- Where to send an editorial for publication?
WHY WOULD YOU LIKE THIS COURSE?
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you can study it at any time;
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you will learn the real story behind the creation of one fashion publication;
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you will get to know all the participants of this publication;
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you will find out what are the current trends in fashion photography;
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you can find many like-minded people in your city and create your own team;
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you will learn the technical characteristics of the tools for creating this publication;
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you will receive samples of documents that are needed to create an editorial;
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you will get the addresses of the magazines that accept the editorial;
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after completing the course, you will be able to organize and make any shooting like a real professional;
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you will diversify your portfolio and attract new clients;
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after publishing in magazines you will increase your self-esteem and of course the value of your work;
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access to the materials will be available forever.
COURSE PROGRAM
The program is designed for self-study at any convenient time for you.
A link with access to the course is automatically sent to your email after payment.
A link with access to the course is automatically sent to your email after payment.
1. Where to get the idea?
2. How to find inspiration?
3. How to create a “mood board”?
4. How to create a “pull letter”?
2. How to find inspiration?
3. How to create a “mood board”?
4. How to create a “pull letter”?
1. Model selection;
2. Search for a stylist, make-up artist, assistant;
3. Signing of the model release and contracts with the shooting participants;
4. Creation of a "call sheet".
2. Search for a stylist, make-up artist, assistant;
3. Signing of the model release and contracts with the shooting participants;
4. Creation of a "call sheet".
- How to choose a location for shooting with a projector?
- Studio preparation;
- Preparation of clothes;
- Model preparation.
1. Organization of the shooting set;
2. Building the light set;
3. Setting up the technique;
4. Working with the model;
5. Shooting.
2. Building the light set;
3. Setting up the technique;
4. Working with the model;
5. Shooting.
1. Retouching in Camera Raw;
2. Retouching in Photoshop;
3. Retouching in Lightroom.
2. Retouching in Photoshop;
3. Retouching in Lightroom.
1. Creation of an editorial PDF;
2. Specifications for mailing and printing the editorial;
3. Journal addresses;
4. Choice of magazine;
5. Newsletter editorial.
2. Specifications for mailing and printing the editorial;
3. Journal addresses;
4. Choice of magazine;
5. Newsletter editorial.
WHAT DOES THIS COURSE LOOK LIKE?
This is not only the history of the creation of the editorial, here is a detailed instruction with a large number of active links to sites that will be very useful to look at, examples of documents, lighting schemes, retouching videos and more than 100 addresses of publishing magazines.
THE AUTHOR OF THE COURSE
Jeanne D´art
Jeanne D´art is an European photographer and producer, shooting commercial, portrait and fashion. Her work is constantly published in various American and European fashion publications, such as VOGUE, HARPER'S BAZAAR, ELLE, L’OFFICIEL, COSMOPOLITAN, GLAMOUR, GRAZIA, Kaltblut, HUF, Flanelle, MMScene, etc.
Jeanne collaborates with European modeling and advertising agencies, designers, stylists and make-up artists.
More: https://linktr.ee/jeannedart
In this course, Jeanne shares her 15 years of experience as one of the fashion photographers in Europe. This is an educational and inspiring course designed to inspire and educate photographers, art lovers and creatives of all levels.
Jeanne collaborates with European modeling and advertising agencies, designers, stylists and make-up artists.
More: https://linktr.ee/jeannedart
In this course, Jeanne shares her 15 years of experience as one of the fashion photographers in Europe. This is an educational and inspiring course designed to inspire and educate photographers, art lovers and creatives of all levels.
PRICE
Full course
all 6 modules of the course
375$
75$
75$
Idea
Creation of a team
Shooting preparation
Shooting
Retouch
Publication
Buy now Creation of a team
Shooting preparation
Shooting
Retouch
Publication
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BONUSES
After purchasing the course, these bonuses will be available to you.
REVIEWS
- I have been interested in the art of photography since high school. I took boring books in the library, where everything is written in an intricate way and everything is incomprehensible. I was terribly glad when I found this course! Finally, I approached my outlet, where I can get the joy and pleasure of learning! I learned so many new and interesting things during this time. Now I know in which direction I should go, develop.
- I have been photographing for more than 5 years and probably every girl in my city has already got into my lens) I accidentally found this course and realized that this is something new for me, and I always dreamed of seeing my photos in gloss) Thank you for painting all the details in such detail work on creating an editorial .. before, I didn’t even imagine that there are so many things you need to know in order to take pictures for gloss).
- I always wanted to be a producer, but I could not find detailed information on working with gloss, on this course I received not only inspiration but also precise instructions with all the documents and addresses !! This is just a godsend, I would not have compiled such a base in a year, thank you very much!
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I learned about the courses from the Internet. A lot of information, a lot of new names... In the process of learning, everything is sorted out and it becomes clear what the world of gloss is.. The easiest thing was to understand how everything works, the most difficult thing was to put it all into practice) But, it seems to me, I did it. To anyone who has doubts, I definitely recommend it. You will learn sooooo many nuances and get a chance to be published and this is exactly what every photographer dreams of!
- At first I doubted whether I, a portrait photographer, need to know anything else, since I have already taken many courses in photography, but this is something new, this is not about composition and typical camera setup .. here about a completely new genre for me: fashion) ) this is also a portrait, but the one that will be published in VOGUE magazine and not the one that a friend will post on insta) And more features of working with a projector, also interesting! Highly recommend! I did not even know that there are so many publishing magazines)) now I will send my photos to the gloss!
- I have been looking at Jeanne's photographs on the Internet for a long time. It was a great stroke of luck that she released this course. I think I am not exaggerating too much if I say that this course is the most interesting thing that has happened to me in the last few years! I am new to photography and I am 39 years old. This course opened wide the door to a new dimension and gave a huge impetus to personal growth.