Step-by-step guide to create a Fashion editorial
HOW LONG WILL YOU LET YOUR
WORK GO UNNOTICED
WORK GO UNNOTICED
You invest in gear, rent studios,
build a team, learn from the best
but your work still gets passed over by magazines.
Stop guessing. Get the roadmap:
A real step-by-step plan for getting published
The exact references editors are looking for
100+ magazines with direct contacts
ready for your editorial
build a team, learn from the best
but your work still gets passed over by magazines.
Stop guessing. Get the roadmap:
A real step-by-step plan for getting published
The exact references editors are looking for
100+ magazines with direct contacts
ready for your editorial
AUTHOR'S COURSE BY JEANNE D'ART
Every step reveals real secrets and tools used by published photographers — not just “creative tips,” but the exact actions that get results and editor replies.
Shortcut your struggle: just follow the process.
Shortcut your struggle: just follow the process.
No more closed doors: you get the actual list of magazines (with editor contacts, by genre) where real photographers get published — and the rules for getting in, even if you have zero connections.
Online Learn When You Want
6 Proven Stages Zero Guesswork
Database
100+ Magazines,
100+ Magazines,
EVERYTHING YOU NEED TO FINALLY GET YOUR FASHION WORK PUBLISHED
No limits, no schedule. Dive in whenever you’re ready — and keep lifetime access to every strategy, template, and contact.
Build your breakthrough on your terms, at your pace.
Build your breakthrough on your terms, at your pace.
Already in the first 3 minutes you get a detailed guide for building a fashion editorial that magazines notice and choose.
The best I can give you in this course
— is a clear, step-by-step path to your first (or next) real publication.
Imagine, for the first time you truly understand:
✅ The exact structure that makes your editorial look magazine-worthy, not “amateur”
✅ How to prepare your images so they catch an editor’s eye
✅ Where to send your work to get real chances for publication — not silence
✅ How to avoid the classic mistakes that keep even strong shoots hidden on your hard drive
✅ No more getting lost in chaos and endless advice — just copy the working structure used by real pros
✅ In just 3 days you can prepare and send out your first application — directly to real editors
✅ Every step is clear, simple, and explained with zero fluff or theory
In just 3 minutes, you get the plan.
In 3 days — your first real submission.
In a month — your name has a real chance to appear in print.
Now, the shortest path is open to you: Build your first (or next) published fashion editorial with me, using the proven system top creators use.
— is a clear, step-by-step path to your first (or next) real publication.
Imagine, for the first time you truly understand:
✅ The exact structure that makes your editorial look magazine-worthy, not “amateur”
✅ How to prepare your images so they catch an editor’s eye
✅ Where to send your work to get real chances for publication — not silence
✅ How to avoid the classic mistakes that keep even strong shoots hidden on your hard drive
✅ No more getting lost in chaos and endless advice — just copy the working structure used by real pros
✅ In just 3 days you can prepare and send out your first application — directly to real editors
✅ Every step is clear, simple, and explained with zero fluff or theory
In just 3 minutes, you get the plan.
In 3 days — your first real submission.
In a month — your name has a real chance to appear in print.
Now, the shortest path is open to you: Build your first (or next) published fashion editorial with me, using the proven system top creators use.
WHAT’S INSIDE-
STEP BY STEP TO PUBLICATION
STEP BY STEP TO PUBLICATION
The truth is — editors don’t publish “beautiful photos.” They publish stories with meaning, concept, and fresh perspective.
YOU FEEL STUCK BEFORE YOU EVEN START
You open Pinterest and see thousands of references, but nothing feels original.
You worry your ideas are “not strong enough,” or they’ve all been done before.
You want to create something “magazine-worthy” — but have no idea where to even begin.
In Module 1 you get:
✅ The exact method for finding an idea that stands out — even if you think “everything’s already been shot”
✅ Inspiration sources pros actually use (not the obvious moodboards you see everywhere)
✅ A step-by-step process for building a mood board that actually guides your shoot, not just decorates it
✅ The secret to writing a pull letter — the industry-standard way to present your concept, making editors take you seriously
✅ An exclusive database of the world’s most published photographers — so you can see what actually gets chosen by top magazines
What you gain:
✅ You stop wasting days (or weeks) trying to “invent” the next big thing
✅ You know exactly what kind of story editors want (not just what gets likes on Instagram)
✅ You feel clear, focused, and motivated to create — because your idea is strong from the very start
You open Pinterest and see thousands of references, but nothing feels original.
You worry your ideas are “not strong enough,” or they’ve all been done before.
You want to create something “magazine-worthy” — but have no idea where to even begin.
In Module 1 you get:
✅ The exact method for finding an idea that stands out — even if you think “everything’s already been shot”
✅ Inspiration sources pros actually use (not the obvious moodboards you see everywhere)
✅ A step-by-step process for building a mood board that actually guides your shoot, not just decorates it
✅ The secret to writing a pull letter — the industry-standard way to present your concept, making editors take you seriously
✅ An exclusive database of the world’s most published photographers — so you can see what actually gets chosen by top magazines
What you gain:
✅ You stop wasting days (or weeks) trying to “invent” the next big thing
✅ You know exactly what kind of story editors want (not just what gets likes on Instagram)
✅ You feel clear, focused, and motivated to create — because your idea is strong from the very start
Here’s what happened to Anna when she tried my pull letter method for the first time
Anna K., Fashion Photographer
"For the first time, I felt like a real contributor, not just another photographer trying to guess what magazines want."
Magazines only choose editorials where every detail looks professional, including the faces, styling, and teamwork behind the scenes. If your team looks random or unreliable, your work simply won’t make the cut.
YOU KEEP LOSING TIME (AND NERVES) ON UNRELIABLE PEOPLE
You waste days searching for models and stylists who disappear last minute.
Your shoots fall apart because of no-shows, delays, or endless messaging.
You feel like building a real “fashion team” is impossible unless you already have agency connections.
In Module 2 you get:
✅ A simple checklist for choosing the right model — not just by looks, but by attitude and reliability
✅ Where to find stylists, makeup artists, and assistants who actually show up and want to work with you
✅ Ready-made contracts and model releases — no more legal stress or last-minute surprises
✅ How to create a professional call sheet (the one editors expect) — so your shoot runs on time and every team member knows their role
What you gain:
✅ No more stress or “drama” with the team — just focused creative work
✅ Your editorial looks polished and credible — not like a random test shoot
✅ You finally feel confident running a production that’s magazine-ready
You waste days searching for models and stylists who disappear last minute.
Your shoots fall apart because of no-shows, delays, or endless messaging.
You feel like building a real “fashion team” is impossible unless you already have agency connections.
In Module 2 you get:
✅ A simple checklist for choosing the right model — not just by looks, but by attitude and reliability
✅ Where to find stylists, makeup artists, and assistants who actually show up and want to work with you
✅ Ready-made contracts and model releases — no more legal stress or last-minute surprises
✅ How to create a professional call sheet (the one editors expect) — so your shoot runs on time and every team member knows their role
What you gain:
✅ No more stress or “drama” with the team — just focused creative work
✅ Your editorial looks polished and credible — not like a random test shoot
✅ You finally feel confident running a production that’s magazine-ready
Here’s what happened to Alex when he used my team-building checklist
Alex, Portrait Photographer
“Suddenly everything clicked — my team wasn’t just a random group, but a real crew.
The whole process felt organized, professional, and honestly, I felt like I was finally playing in the big leagues.”
The whole process felt organized, professional, and honestly, I felt like I was finally playing in the big leagues.”
Every great editorial starts before the first frame.
Editors can spot an unprepared shoot immediately and will skip you every time.
Editors can spot an unprepared shoot immediately and will skip you every time.
YOU’RE ALWAYS RUSHING AND NEVER 100% READY ON SHOOT DAY
You spend hours looking for the “right” location, but nothing matches your idea.
The studio is messy or not set up for your style.
You’re chasing last-minute outfits, the model isn’t ready, and you waste the first hour just getting organized.
Result: the shoot feels chaotic, and your images always look “not quite there.”
In Module 3 you get:
✅ How to choose the perfect location (even for creative shoots with a projector — no more “white wall syndrome”)
✅ The checklist for studio preparation — so everything’s ready when you walk in, and you look like a pro from minute one
✅ How to prepare clothing and looks — so the styling tells a story, not just fills space
✅ Model preparation tips (mindset, posing, energy) — so your talent arrives ready to create, not just stand in front of the camera
What you gain:
✅ You walk into the shoot knowing everything is ready
✅ No wasted time, no scrambling — just pure focus on the images
✅ Your editorial instantly looks more “expensive” and publication-ready
You spend hours looking for the “right” location, but nothing matches your idea.
The studio is messy or not set up for your style.
You’re chasing last-minute outfits, the model isn’t ready, and you waste the first hour just getting organized.
Result: the shoot feels chaotic, and your images always look “not quite there.”
In Module 3 you get:
✅ How to choose the perfect location (even for creative shoots with a projector — no more “white wall syndrome”)
✅ The checklist for studio preparation — so everything’s ready when you walk in, and you look like a pro from minute one
✅ How to prepare clothing and looks — so the styling tells a story, not just fills space
✅ Model preparation tips (mindset, posing, energy) — so your talent arrives ready to create, not just stand in front of the camera
What you gain:
✅ You walk into the shoot knowing everything is ready
✅ No wasted time, no scrambling — just pure focus on the images
✅ Your editorial instantly looks more “expensive” and publication-ready
Here’s what happened to Mike when he changed his prep process
Mike, Commercial Photographer
“I finally walked into a shoot feeling in control — no chaos, no surprises.
For the first time, my images looked as professional as I always imagined.
That confidence changed everything.”
For the first time, my images looked as professional as I always imagined.
That confidence changed everything.”
Every great editorial starts before the first frame.
Editors can spot an unprepared shoot immediately and will skip you every time.
Editors can spot an unprepared shoot immediately and will skip you every time.
YOUR SHOOT FALLS APART WHEN THE CAMERA STARTS ROLLING
You spend days preparing, but as soon as you’re on set —
Something goes wrong:
The light doesn’t look like you imagined, the setup takes forever, equipment isn’t ready,
The model is lost or nervous, and you’re forced to “just shoot” whatever works.
Result: you leave the studio frustrated, knowing your images aren’t at the level you need.
In Module 4 you get:
✅ A clear method for organizing your set — so everything and everyone is in the right place
✅ How to build your light for magazine-quality shots — even if you’re not a lighting tech
✅ Step-by-step setup for all your equipment — no more panic or missing cables
✅ Pro tips for working with your model — get authentic, emotional shots, not just random poses
✅ A complete guide to shooting editorial work — from first frame to final take, so you don’t miss a single key shot
What you gain:
✅ You finally run the set with real confidence — not feeling lost, rushed, or second-guessing every step
✅ Your team respects you — you’re seen as a true pro, not just “someone with a camera”
✅ Your shots look expensive, controlled, and editorial-ready — the level that gets published, not just “posted”
You spend days preparing, but as soon as you’re on set —
Something goes wrong:
The light doesn’t look like you imagined, the setup takes forever, equipment isn’t ready,
The model is lost or nervous, and you’re forced to “just shoot” whatever works.
Result: you leave the studio frustrated, knowing your images aren’t at the level you need.
In Module 4 you get:
✅ A clear method for organizing your set — so everything and everyone is in the right place
✅ How to build your light for magazine-quality shots — even if you’re not a lighting tech
✅ Step-by-step setup for all your equipment — no more panic or missing cables
✅ Pro tips for working with your model — get authentic, emotional shots, not just random poses
✅ A complete guide to shooting editorial work — from first frame to final take, so you don’t miss a single key shot
What you gain:
✅ You finally run the set with real confidence — not feeling lost, rushed, or second-guessing every step
✅ Your team respects you — you’re seen as a true pro, not just “someone with a camera”
✅ Your shots look expensive, controlled, and editorial-ready — the level that gets published, not just “posted”
Here’s what happened to Jessica when she changed her shooting process
Jessica , Beauty Photographer
“I finally stopped doubting myself on set.
The whole process felt smooth, and my photos looked like they belonged in a real magazine.”
The whole process felt smooth, and my photos looked like they belonged in a real magazine.”
Editors can spot “over-retouched” or amateur images in seconds.
If your photos don’t look clean and professional, you simply won’t make the cut.
If your photos don’t look clean and professional, you simply won’t make the cut.
YOUR PHOTOS NEVER LOOK AS POLISHED AS THE MAGAZINE COVERS
You finish a shoot, open your files — and suddenly your images look flat, rough, or too “digital.”
You try presets, random YouTube tips, or endless sliders in Lightroom,
but nothing makes your photos look truly “expensive” or “published.”
You’re left wondering: what’s missing? Why don’t my edits look like their edits?
In Module 5 you get:
✅ How to retouch in Camera Raw — for perfect skin and true color
✅ Advanced Photoshop secrets — clean up, shape, and polish your images without losing reality
✅ Retouching in Lightroom — quick fixes and pro-level finishing for any editorial
✅ My full workflow — the same steps I use for magazine submissions (no fluff, no “trendy” effects)
What you gain:
✅ Your photos finally look magazine-ready and expensive
✅ No more “plastic skin” or obvious mistakes — just natural, clean, confident edits
✅ Editors, clients, and even models will notice the difference
You finish a shoot, open your files — and suddenly your images look flat, rough, or too “digital.”
You try presets, random YouTube tips, or endless sliders in Lightroom,
but nothing makes your photos look truly “expensive” or “published.”
You’re left wondering: what’s missing? Why don’t my edits look like their edits?
In Module 5 you get:
✅ How to retouch in Camera Raw — for perfect skin and true color
✅ Advanced Photoshop secrets — clean up, shape, and polish your images without losing reality
✅ Retouching in Lightroom — quick fixes and pro-level finishing for any editorial
✅ My full workflow — the same steps I use for magazine submissions (no fluff, no “trendy” effects)
What you gain:
✅ Your photos finally look magazine-ready and expensive
✅ No more “plastic skin” or obvious mistakes — just natural, clean, confident edits
✅ Editors, clients, and even models will notice the difference
Here’s what happened to Emily after she went through my retouch workflow
Emily, Fine Art Photographer
“My edits finally look clean and professional.
For the first time, an editor said my photos were ready for publication.”
For the first time, an editor said my photos were ready for publication.”
The truth: magazines reject 99% of submissions in the first 10 seconds. Not because the images are bad — but because the email, the PDF, the subject line, or even the wrong address sends your work straight to the trash.
Getting published is a game of details — and most photographers lose without even knowing why.
Getting published is a game of details — and most photographers lose without even knowing why.
YOU NEVER KNOW IF YOUR WORK EVEN REACHES THE RIGHT PEOPLE
You spend weeks, sometimes months, pouring your soul into a shoot —
and then, at the last step, everything stalls.
You Google “how to send an editorial,” you spam random addresses, you wait, you refresh your inbox for weeks…
Nothing.
No answer, not even a rejection — just pure silence.
You start to wonder:
“Is my work even good enough?”
“Do editors even see these emails, or do they just hit delete?”
You feel invisible, like you never even had a chance.
In Module 6 you get:
✅ The exact format and checklist for a professional editorial PDF (no more ugly attachments that get ignored)
✅ Mailing and print specs that actually match industry standards
✅ A full list of magazine contacts — direct addresses for fashion editors, including Vogue, Harper’s Bazaar, and 100+ others
✅ Magazine selection strategy: how to choose those who really publish, not waste time on closed doors
✅ Bulletproof subject lines and email templates that editors can’t skip over
What you gain:
✅ Your editorial finally lands on the right desk — you know you’re being seen
✅ You stop feeling invisible, and editors start replying — even if it’s “not this time,” at least you know why
✅ For the first time, you feel like a real industry insider, not someone stuck behind the scenes
You spend weeks, sometimes months, pouring your soul into a shoot —
and then, at the last step, everything stalls.
You Google “how to send an editorial,” you spam random addresses, you wait, you refresh your inbox for weeks…
Nothing.
No answer, not even a rejection — just pure silence.
You start to wonder:
“Is my work even good enough?”
“Do editors even see these emails, or do they just hit delete?”
You feel invisible, like you never even had a chance.
In Module 6 you get:
✅ The exact format and checklist for a professional editorial PDF (no more ugly attachments that get ignored)
✅ Mailing and print specs that actually match industry standards
✅ A full list of magazine contacts — direct addresses for fashion editors, including Vogue, Harper’s Bazaar, and 100+ others
✅ Magazine selection strategy: how to choose those who really publish, not waste time on closed doors
✅ Bulletproof subject lines and email templates that editors can’t skip over
What you gain:
✅ Your editorial finally lands on the right desk — you know you’re being seen
✅ You stop feeling invisible, and editors start replying — even if it’s “not this time,” at least you know why
✅ For the first time, you feel like a real industry insider, not someone stuck behind the scenes
Here’s what happened to Daniel when he finally did it right
Daniel , Documentary Photographer
“I finally got proof my work was seen — and not just ignored.”
When you work through all 6 stages step by step, you’ll have a complete plan in your hands — but that’s not where your journey ends.
Because the most important thing is to find real clients and get noticed by the people who make decisions.
To make this process as fast and transparent as possible, I’ve prepared an exclusive bonus for you:
BONUS #1
THE BEST PLATFORMS FOR PHOTOGRAPHERS:
WHERE TO FIND CLIENTS AND SELL YOUR WORK
This is your personal guide to the most effective platforms and services for finding clients and selling your work — no matter what genre you shoot:
FREELANCE PLATFORMS FOR COMMERCIAL & PORTRAIT PHOTOGRAPHY
SITES FOR WEDDING PHOTOGRAPHERS
PLATFORMS FOR SELLING STOCK & FINE ART PHOTOS
RESOURCES FOR INTERNATIONAL PROMOTION & COMPETITIONS
In each section you’ll find:
You get a clear action map so you can enter the market right away — and stop losing time for nothing.
Because the most important thing is to find real clients and get noticed by the people who make decisions.
To make this process as fast and transparent as possible, I’ve prepared an exclusive bonus for you:
BONUS #1
THE BEST PLATFORMS FOR PHOTOGRAPHERS:
WHERE TO FIND CLIENTS AND SELL YOUR WORK
This is your personal guide to the most effective platforms and services for finding clients and selling your work — no matter what genre you shoot:
FREELANCE PLATFORMS FOR COMMERCIAL & PORTRAIT PHOTOGRAPHY
SITES FOR WEDDING PHOTOGRAPHERS
PLATFORMS FOR SELLING STOCK & FINE ART PHOTOS
RESOURCES FOR INTERNATIONAL PROMOTION & COMPETITIONS
In each section you’ll find:
- Direct links to the best sites
- Short descriptions: which genres each platform works best for
- Terms: commissions, formats, important details
- Special features — which platforms are better for beginners and which are for pros
You get a clear action map so you can enter the market right away — and stop losing time for nothing.
THE BEST PLATFORMS FOR PHOTOGRAPHERS
With this bonus, you won’t have to waste time googling or guessing where to look for your first clients.
You get a clear action map so you can enter the market right away — and stop losing time for nothing.
You get a clear action map so you can enter the market right away — and stop losing time for nothing.
You already know where to find clients and how to get your work seen — but how do you make sure your portfolio actually SELLS your talent?
Because landing on the right platforms is only half the battle.
The real growth starts when your portfolio instantly grabs attention, builds trust, and makes you stand out — even if you feel like “just another photographer” in a crowded market.
Imagine the confidence of knowing every single image you show is working for you:
— Attracting better clients
— Getting you noticed by editors
— Opening new doors for growth
This is where your potential truly multiplies.
And to help you unlock it, you’ll get my next exclusive bonus:
BONUS #2
PORTFOLIO THAT SELLS
Step-by-step guide to building a portfolio that not only looks great — but convinces editors and clients to choose YOU.
You’ll discover:
Instead, you’ll feel a new level of certainty — ready to show your work to the world and actually get results.
Because landing on the right platforms is only half the battle.
The real growth starts when your portfolio instantly grabs attention, builds trust, and makes you stand out — even if you feel like “just another photographer” in a crowded market.
Imagine the confidence of knowing every single image you show is working for you:
— Attracting better clients
— Getting you noticed by editors
— Opening new doors for growth
This is where your potential truly multiplies.
And to help you unlock it, you’ll get my next exclusive bonus:
BONUS #2
PORTFOLIO THAT SELLS
Step-by-step guide to building a portfolio that not only looks great — but convinces editors and clients to choose YOU.
You’ll discover:
- How to select and present your work for maximum impact (with real examples from top pros in different genres)
- The secrets of portfolio structure, design, and storytelling that work in the international market
- Practical tips for both digital and printed portfolios (no more guesswork or “designer’s block”)
- How to add credibility even if you have little experience
- What top editors and clients really look for when they open a new photographer’s site
Instead, you’ll feel a new level of certainty — ready to show your work to the world and actually get results.
PORTFOLIO THAT SELLS
With this bonus, you’ll never again wonder “is my portfolio holding me back?”
Instead, you’ll feel a new level of certainty — ready to show your work to the world and actually get results.
Instead, you’ll feel a new level of certainty — ready to show your work to the world and actually get results.
Your portfolio’s ready, clients are reaching out, everyone’s inviting you to “shoot something outside”— and then reality hits:
Summer makes everything look easier, but under the sun… it’s pure chaos.
You’re sweating with reflectors, fighting crazy shadows,
and pretending you love shooting at noon.
Let’s be honest: Summer shoots are basically like a vacation — except you’re working twice as hard. Everyone’s in shorts and chilling,
but you’re playing shadow Tetris and wishing you could just relax by the pool instead of fixing harsh light on your models.
But don’t worry.
I’ve got your back.
No more suffering through summer light!
No more turning vacation season into a battle with the sun.
That’s why your next bonus isn’t just another checklist —
it’s your ultimate survival kit for every summer outdoor shoot:
BONUS #3
SUMMER LIGHTING CHEAT SHEET:
HOW TO SHOOT OUTDOORS EVEN WHEN YOU’D RATHER JUST BE SUNBATHING.
INSIDE YOU’LL FIND:
Summer makes everything look easier, but under the sun… it’s pure chaos.
You’re sweating with reflectors, fighting crazy shadows,
and pretending you love shooting at noon.
Let’s be honest: Summer shoots are basically like a vacation — except you’re working twice as hard. Everyone’s in shorts and chilling,
but you’re playing shadow Tetris and wishing you could just relax by the pool instead of fixing harsh light on your models.
But don’t worry.
I’ve got your back.
No more suffering through summer light!
No more turning vacation season into a battle with the sun.
That’s why your next bonus isn’t just another checklist —
it’s your ultimate survival kit for every summer outdoor shoot:
BONUS #3
SUMMER LIGHTING CHEAT SHEET:
HOW TO SHOOT OUTDOORS EVEN WHEN YOU’D RATHER JUST BE SUNBATHING.
INSIDE YOU’LL FIND:
- NATURAL LIGHT WITH A REFLECTOR
- How to use the golden hour and simple reflectors for soft, flattering portraits without expensive gear.
- BACKLIGHT ILLUMINATION
- Tricks for dramatic silhouettes and glowing outlines in your images — perfect for storytelling and emotional shots.
- DIFFUSE LIGHTING WITH A DIFFUSER
- How to soften harsh sunlight and avoid ugly shadows, so your model always looks natural and smooth.
- OFF-CAMERA FLASH
- Techniques for mixing natural and artificial light — get clean, vibrant shots even after sunset or in tricky conditions.
SUMMER LIGHTING CHEAT SHEET
With this bonus, you can stop worrying about unpredictable summer light and start shooting confidently anywhere — on the beach, in the fields, or in the city at night.
This guide will save you hours of trial and error, help you level up your portfolio, and make every shoot a success — regardless of the weather or time of day.
This guide will save you hours of trial and error, help you level up your portfolio, and make every shoot a success — regardless of the weather or time of day.
Your work is valued, people talk about it, and you’re finally part of the real world of fashion and magazines.
No more wondering why you’re not getting published or why nobody’s saying, “Let’s work together.” Now everything is clear and real.
Imagine this:
You wake up in the morning, grab your coffee,
open the latest issue of Vogue or Harper’s Bazaar — and there’s your shoot.
Then you check your inbox and see a message from a major brand:
“We’d love to invite you to shoot our next campaign.”
Your colleagues are amazed, and for the first time you feel:
“This is working. People actually see me and want my work.”
You’re not “just another photographer” anymore.
But let’s sum it up for a second…
Imagine this:
You wake up in the morning, grab your coffee,
open the latest issue of Vogue or Harper’s Bazaar — and there’s your shoot.
Then you check your inbox and see a message from a major brand:
“We’d love to invite you to shoot our next campaign.”
Your colleagues are amazed, and for the first time you feel:
“This is working. People actually see me and want my work.”
You’re not “just another photographer” anymore.
But let’s sum it up for a second…
Here’s the complete, step-by-step editorial roadmap you’re getting
Everything You Get in This Program:
Module 1: Idea & Inspiration (3 hours) — $400 value
Unlock how to spot breakthrough ideas, build magnetic mood boards, and craft irresistible pitches that get published.
Module 2: Building Your Team (3 hours) — $400 value
No more chaos. Learn exactly how to find and assemble your dream team: models, stylists, makeup artists — plus contracts and call sheets made simple.
Module 3: Shoot Preparation (3 hours) — $400 value
Master locations, studio setup, wardrobe, and model prep. Eliminate last-minute stress forever.
Module 4: The Shoot (3 hours) — $400 value
On-set secrets: organizing, lighting, directing talent, and managing the creative chaos like a pro.
Module 5: Retouching (3 hours) — $400 value
The entire post-production workflow: RAW, Photoshop, Lightroom, and finishing touches that make your shots magazine-worthy.
Module 6: Publication (3 hours) — $400 value
How to package, submit, and pitch your work so it actually gets published. Editorial PDFs, requirements, contact lists — nothing left out.
Module 7: Best Platforms for Photographers (2 hours) — $300 value
Find the right platforms to get published, find clients, and finally get paid what you deserve.
Module 8: Portfolio That Sells (2 hours) — $300 value
Stop getting ignored. Build a portfolio editors and clients can’t overlook.
Module 9: Summer Lighting Setups (2 hours) — $300 value
Ready-to-use lighting schemes for summer shoots — instant confidence, any location.
Module 10: Your Personalized Photography Growth Plan — $400 value
BONUS: Take a targeted quiz and get a personalized action plan — crystal clear steps tailored to your goals. No more guessing. This is your fast track.
The total value — $ 3,900.
Let me be clear: I’m not asking you
to pay $ 3,900 for all this today.
Module 1: Idea & Inspiration (3 hours) — $400 value
Unlock how to spot breakthrough ideas, build magnetic mood boards, and craft irresistible pitches that get published.
Module 2: Building Your Team (3 hours) — $400 value
No more chaos. Learn exactly how to find and assemble your dream team: models, stylists, makeup artists — plus contracts and call sheets made simple.
Module 3: Shoot Preparation (3 hours) — $400 value
Master locations, studio setup, wardrobe, and model prep. Eliminate last-minute stress forever.
Module 4: The Shoot (3 hours) — $400 value
On-set secrets: organizing, lighting, directing talent, and managing the creative chaos like a pro.
Module 5: Retouching (3 hours) — $400 value
The entire post-production workflow: RAW, Photoshop, Lightroom, and finishing touches that make your shots magazine-worthy.
Module 6: Publication (3 hours) — $400 value
How to package, submit, and pitch your work so it actually gets published. Editorial PDFs, requirements, contact lists — nothing left out.
Module 7: Best Platforms for Photographers (2 hours) — $300 value
Find the right platforms to get published, find clients, and finally get paid what you deserve.
Module 8: Portfolio That Sells (2 hours) — $300 value
Stop getting ignored. Build a portfolio editors and clients can’t overlook.
Module 9: Summer Lighting Setups (2 hours) — $300 value
Ready-to-use lighting schemes for summer shoots — instant confidence, any location.
Module 10: Your Personalized Photography Growth Plan — $400 value
BONUS: Take a targeted quiz and get a personalized action plan — crystal clear steps tailored to your goals. No more guessing. This is your fast track.
The total value — $ 3,900.
Let me be clear: I’m not asking you
to pay $ 3,900 for all this today.
This is a skill you’ll use for every future project.
It’s like learning to ride a bike — you never forget how, and you only get faster.
It’s like learning to ride a bike — you never forget how, and you only get faster.
But let’s imagine for a second that you actually paid $ 3,900 for this package…
And let’s fast-forward just a couple of months.
You’ve gone through every lesson,
implemented every step, and you’re seeing your first editorial published.
For the first time, you’re not just scrolling through magazines , you’re in them.
You’re not chasing clients , they’re finding you.
You wake up, pour your coffee, and see your work in Vogue or Harper’s Bazaar.
You refresh your inbox — and there’s a message from a brand or editor asking to work with you. You realize you’ve gained three priceless freedoms:
Creative Freedom
No more guessing, no more feeling invisible.
You choose the stories you want to tell,
and finally see your vision come to life.
Professional Confidence
You know exactly how to build a team, run a shoot, and present your work like a pro. No more self-doubt, no more feeling “not good enough.”
Now, you have a clear process — and a result you’re proud of.
Recognition & Opportunity
You’re no longer lost in the crowd. Your work gets seen, published, and shared. Clients reach out. Editors reply. Colleagues notice — and your name becomes part of the real industry conversation.
Whatever happens in the world —whether you take a break, travel, or want to level up —your system is set up. You’re in control of your creative career. Now ask yourself:
If this changed your career, your confidence, and your creative future for good —wouldn’t that be worth $ 3,900?
And let’s fast-forward just a couple of months.
You’ve gone through every lesson,
implemented every step, and you’re seeing your first editorial published.
For the first time, you’re not just scrolling through magazines , you’re in them.
You’re not chasing clients , they’re finding you.
You wake up, pour your coffee, and see your work in Vogue or Harper’s Bazaar.
You refresh your inbox — and there’s a message from a brand or editor asking to work with you. You realize you’ve gained three priceless freedoms:
Creative Freedom
No more guessing, no more feeling invisible.
You choose the stories you want to tell,
and finally see your vision come to life.
Professional Confidence
You know exactly how to build a team, run a shoot, and present your work like a pro. No more self-doubt, no more feeling “not good enough.”
Now, you have a clear process — and a result you’re proud of.
Recognition & Opportunity
You’re no longer lost in the crowd. Your work gets seen, published, and shared. Clients reach out. Editors reply. Colleagues notice — and your name becomes part of the real industry conversation.
Whatever happens in the world —whether you take a break, travel, or want to level up —your system is set up. You’re in control of your creative career. Now ask yourself:
If this changed your career, your confidence, and your creative future for good —wouldn’t that be worth $ 3,900?
BUT I’M NOT ASKING YOU TO PAY $ 3,900 TODAY.
NOT EVEN $2,000…
NOT $1,000…
NOT EVEN $100.
You have two choices right now:
1. Ready to invest $ 3,900 in yourself and get life-long results? Click here to apply for the next year .
OR
2. Take the Fast Track — Get Instant Access Now to the full course for just $39
Unlock the entire self-paced course for less than the price of a coffee date.
No waiting. No application.
But warning: this page disappears after 50 spots are claimed.
Hesitate and it’s gone.
NOT $1,000…
NOT EVEN $100.
You have two choices right now:
1. Ready to invest $ 3,900 in yourself and get life-long results? Click here to apply for the next year .
OR
2. Take the Fast Track — Get Instant Access Now to the full course for just $39
Unlock the entire self-paced course for less than the price of a coffee date.
No waiting. No application.
But warning: this page disappears after 50 spots are claimed.
Hesitate and it’s gone.
The truth is, it’s summer now, and no one wants to sit in stuffy classrooms or spend hours on Zoom.
WHY SUCH A GENEROUS OFFER?
There’s no secret.
You want to enjoy the season — but you also don’t want to miss out on something that brings real results, flexibility, and freedom.
And I get it — this course isn’t just for people in my city. It’s for creative people around the world, and I know most can’t just drop everything and travel for an offline class.
That’s why I made this course 100% ONLINE — with access from anywhere: on vacation, at home, or while you’re traveling.
And this is a special summer offer — only for a select group, and only right now!
You get everything instantly, in a format that fits your life (not the other way around).
You don’t have to put your plans on hold or fly to another country — you can start learning and taking action right here, right now.
And yes, I think strategically and play the long game — I’m not after quick sales or one-time clients.
I know this course will deliver massive value, and you’ll love the results.
That means you’ll stay in my creative circle, and when you’re ready for the next level, you’ll come back for even more.
I’ve been there too — wasting my own summers just waiting for the next season to start.
Now you can keep growing, even if you’re learning by the sea, in the park, or in another country.
This summer offer is just the beginning.
When you’re ready to go further, I already have advanced trainings and real industry insider knowledge waiting for you.
My goal isn’t just to sell you a course.
I want you to be seen, to get published, to finally take your place in the world you deserve.
Don’t let this summer slip by — start small and get your first publication right now. And then, when you’re ready, we’ll go even further together.
99% OFF — This Summer Only!
There’s no secret.
You want to enjoy the season — but you also don’t want to miss out on something that brings real results, flexibility, and freedom.
And I get it — this course isn’t just for people in my city. It’s for creative people around the world, and I know most can’t just drop everything and travel for an offline class.
That’s why I made this course 100% ONLINE — with access from anywhere: on vacation, at home, or while you’re traveling.
And this is a special summer offer — only for a select group, and only right now!
You get everything instantly, in a format that fits your life (not the other way around).
You don’t have to put your plans on hold or fly to another country — you can start learning and taking action right here, right now.
And yes, I think strategically and play the long game — I’m not after quick sales or one-time clients.
I know this course will deliver massive value, and you’ll love the results.
That means you’ll stay in my creative circle, and when you’re ready for the next level, you’ll come back for even more.
I’ve been there too — wasting my own summers just waiting for the next season to start.
Now you can keep growing, even if you’re learning by the sea, in the park, or in another country.
This summer offer is just the beginning.
When you’re ready to go further, I already have advanced trainings and real industry insider knowledge waiting for you.
My goal isn’t just to sell you a course.
I want you to be seen, to get published, to finally take your place in the world you deserve.
Don’t let this summer slip by — start small and get your first publication right now. And then, when you’re ready, we’ll go even further together.
99% OFF — This Summer Only!
BONUS #4
THE BREAKTHROUGH MAP:
YOUR PERSONALIZED PHOTOGRAPHY GROWTH PLAN
Picture this:
You take a quick, no-nonsense test (12 smart questions — zero fluff).
And then, instead of another generic checklist,
you get a fully customized strategy for YOUR next breakthrough —
generated just for you , based on your real goals, challenges, and answers.
This test was developed by the BOOSTLAB team — an innovative platform dedicated to helping photographers grow at every level.
How it works:
– Answer 12 laser-focused questions about your workflow and ambitions
– Receive a detailed, inspiring growth plan, generated specifically for you
– Use it as your cheat code for the next season: grow your client list, boost your confidence, and finally get unstuck
This bonus is only for those who take action.
No more guessing what’s holding you back — now you’ll know, and you’ll have a personalized plan to break through it.
Ready for your next real step up?
THE BREAKTHROUGH MAP:
YOUR PERSONALIZED PHOTOGRAPHY GROWTH PLAN
Picture this:
You take a quick, no-nonsense test (12 smart questions — zero fluff).
And then, instead of another generic checklist,
you get a fully customized strategy for YOUR next breakthrough —
generated just for you , based on your real goals, challenges, and answers.
This test was developed by the BOOSTLAB team — an innovative platform dedicated to helping photographers grow at every level.
How it works:
– Answer 12 laser-focused questions about your workflow and ambitions
– Receive a detailed, inspiring growth plan, generated specifically for you
– Use it as your cheat code for the next season: grow your client list, boost your confidence, and finally get unstuck
This bonus is only for those who take action.
No more guessing what’s holding you back — now you’ll know, and you’ll have a personalized plan to break through it.
Ready for your next real step up?
YOUR PERSONALIZED BREAKTHROUGH MAP
BOOSTLAB is an advanced development laboratory that turns hobbies into careers. It is an innovative educational platform for photographers of all levels, available by subscription. With the help of a unique AI-based system, you will learn to stand out among competitors, effectively promote yourself, and secure a stable income.
COURSE PROGRAM
The program is designed for self-study at any convenient time for you.
A link with access to the course is automatically sent to your email after payment.
A link with access to the course is automatically sent to your email after payment.
1. Where to get the idea?
2. How to find inspiration?
3. How to create a “mood board”?
4. How to create a “pull letter”?
2. How to find inspiration?
3. How to create a “mood board”?
4. How to create a “pull letter”?
1. Model selection;
2. Search for a stylist, make-up artist, assistant;
3. Signing of the model release and contracts with the shooting participants;
4. Creation of a "call sheet".
2. Search for a stylist, make-up artist, assistant;
3. Signing of the model release and contracts with the shooting participants;
4. Creation of a "call sheet".
- How to choose a location for shooting with a projector?
- Studio preparation;
- Preparation of clothes;
- Model preparation.
1. Organization of the shooting set;
2. Building the light set;
3. Setting up the technique;
4. Working with the model;
5. Shooting.
2. Building the light set;
3. Setting up the technique;
4. Working with the model;
5. Shooting.
1. Retouching in Camera Raw;
2. Retouching in Photoshop;
3. Retouching in Lightroom.
2. Retouching in Photoshop;
3. Retouching in Lightroom.
1. Creation of an editorial PDF;
2. Specifications for mailing and printing the editorial;
3. Journal addresses;
4. Choice of magazine;
5. Newsletter editorial.
2. Specifications for mailing and printing the editorial;
3. Journal addresses;
4. Choice of magazine;
5. Newsletter editorial.
YOUR PERSONALIZED PHOTOGRAPHY GROWTH PLAN
– Answer 12 laser-focused questions about your workflow and ambitions
– Receive a detailed, inspiring growth plan, generated specifically for you
– Use it as your cheat code for the next season: grow your client list, boost your confidence, and finally get unstuck
– Answer 12 laser-focused questions about your workflow and ambitions
– Receive a detailed, inspiring growth plan, generated specifically for you
– Use it as your cheat code for the next season: grow your client list, boost your confidence, and finally get unstuck
You’ll finally see your work published, get noticed by real editors, and enjoy the creative freedom you’ve always wanted.
Right now, you have three options:
OPTION 1 — Just close this page and walk away.
Maybe you’ll say:
“Okay, this all sounds cool… It would be amazing to see my work in Vogue, but honestly, I have too much going on right now.
Maybe someday I’ll get serious about my photography.”
And you can totally do that.
But let’s be honest: if nothing changes, nothing changes.
You’ll keep scrolling through other people’s shoots, wondering how they did it, and hoping that one day your inbox brings that magic reply.
Summer will pass, another year will fly by… and your work will still be waiting for its moment.
OPTION 2 — Do it all yourself.
Sure, you can try to piece everything together on your own:
Spend months — maybe even years — digging through YouTube, blogs, online masterclasses, and endless group chats.
You’ll try hundreds of “hacks” and “secret” tips, spend thousands on courses and workshops, burn through weekends searching for that missing piece.
And in the end? You’re still left guessing.
Maybe you’ll get published, maybe you won’t.
But you’ll have lost time, energy, and probably a lot of creative motivation along the way.
OPTION 3 — Go all in with me right now.
Instead of spending years (and way more money), you can shortcut the process, skip the guesswork, and get a proven system for less than the price of a single dinner out.
You get everything you need — all in one place, step by step, with a process you can start this summer and see real results .
No more guessing, no more waiting, no more playing small.
The choice is yours.
OPTION 1 — Just close this page and walk away.
Maybe you’ll say:
“Okay, this all sounds cool… It would be amazing to see my work in Vogue, but honestly, I have too much going on right now.
Maybe someday I’ll get serious about my photography.”
And you can totally do that.
But let’s be honest: if nothing changes, nothing changes.
You’ll keep scrolling through other people’s shoots, wondering how they did it, and hoping that one day your inbox brings that magic reply.
Summer will pass, another year will fly by… and your work will still be waiting for its moment.
OPTION 2 — Do it all yourself.
Sure, you can try to piece everything together on your own:
Spend months — maybe even years — digging through YouTube, blogs, online masterclasses, and endless group chats.
You’ll try hundreds of “hacks” and “secret” tips, spend thousands on courses and workshops, burn through weekends searching for that missing piece.
And in the end? You’re still left guessing.
Maybe you’ll get published, maybe you won’t.
But you’ll have lost time, energy, and probably a lot of creative motivation along the way.
OPTION 3 — Go all in with me right now.
Instead of spending years (and way more money), you can shortcut the process, skip the guesswork, and get a proven system for less than the price of a single dinner out.
You get everything you need — all in one place, step by step, with a process you can start this summer and see real results .
No more guessing, no more waiting, no more playing small.
The choice is yours.
Before this page ends, let me speak to you personally.
Whether you decide to join this course or not — honestly, my life will go on as usual.
I already work with top magazines and brands, travel the world, collaborate with European agencies, stylists, and designers. My shoots are published in VOGUE, HARPER'S BAZAAR, ELLE, L’OFFICIEL, COSMOPOLITAN, GLAMOUR, GRAZIA, Kaltblut, HUF, Flanelle, MMScene, and many more leading publications.
My name is Jeanne D´art — I’m a European photographer and producer with 15 years of experience, and everything I share in this course is based on real, working strategies that helped me build a successful, visible career and get published internationally.
But here’s what I know for sure: if you decide to give it a try — everything could change for YOU.
This one decision isn’t just about learning a few new tricks.
It’s about changing your professional path, your confidence, and your sense of value.
You’ll stop waiting to be “noticed” — and finally start getting published, recognized, and in demand.
I started from scratch myself — searching for my way, making mistakes, learning everything by trial and error. Now, you have the chance to shortcut that journey, with support and clear, proven steps.
So just ask yourself:
Is it worth a few minutes and one small investment to see what could actually shift in your creative life and career?
Even if you only get a fraction of the results you dream of, it will pay for itself many times over.
And if you achieve everything — you’ll finally feel: “I’m seen, chosen, and published.”
More about me and my projects: https://linktr.ee/jeannedart
I already work with top magazines and brands, travel the world, collaborate with European agencies, stylists, and designers. My shoots are published in VOGUE, HARPER'S BAZAAR, ELLE, L’OFFICIEL, COSMOPOLITAN, GLAMOUR, GRAZIA, Kaltblut, HUF, Flanelle, MMScene, and many more leading publications.
My name is Jeanne D´art — I’m a European photographer and producer with 15 years of experience, and everything I share in this course is based on real, working strategies that helped me build a successful, visible career and get published internationally.
But here’s what I know for sure: if you decide to give it a try — everything could change for YOU.
This one decision isn’t just about learning a few new tricks.
It’s about changing your professional path, your confidence, and your sense of value.
You’ll stop waiting to be “noticed” — and finally start getting published, recognized, and in demand.
I started from scratch myself — searching for my way, making mistakes, learning everything by trial and error. Now, you have the chance to shortcut that journey, with support and clear, proven steps.
So just ask yourself:
Is it worth a few minutes and one small investment to see what could actually shift in your creative life and career?
Even if you only get a fraction of the results you dream of, it will pay for itself many times over.
And if you achieve everything — you’ll finally feel: “I’m seen, chosen, and published.”
More about me and my projects: https://linktr.ee/jeannedart
PRICE
99% OFF — This Summer Only!
ATTENTION: THIS OFFER IS STRICTLY LIMITED AND MAY DISAPPEAR AT ANY MOMENT!
Just a fair warning: as soon as the 50 available spots are taken, enrollment will close immediately — and you won’t be able to access this online course.
Why such urgency?
Because this is a summer-only enrollment — and only 50 seats are open.
If you want the full program, all six modules, all three bonuses, and this price — now is the moment.
There are only 50 places available.
Don’t miss your chance — reserve your spot today!
Why such urgency?
Because this is a summer-only enrollment — and only 50 seats are open.
- When summer ends, the course goes back to offline only.
- The format and price will change.
- Online access won’t be available again until next year (if at all).
If you want the full program, all six modules, all three bonuses, and this price — now is the moment.
There are only 50 places available.
Don’t miss your chance — reserve your spot today!
REVIEWS
- I have been interested in the art of photography since high school. I took boring books in the library, where everything is written in an intricate way and everything is incomprehensible. I was terribly glad when I found this course! Finally, I approached my outlet, where I can get the joy and pleasure of learning! I learned so many new and interesting things during this time. Now I know in which direction I should go, develop.
- I have been photographing for more than 5 years and probably every girl in my city has already got into my lens) I accidentally found this course and realized that this is something new for me, and I always dreamed of seeing my photos in gloss) Thank you for painting all the details in such detail work on creating an editorial .. before, I didn’t even imagine that there are so many things you need to know in order to take pictures for gloss).
- I always wanted to be a producer, but I could not find detailed information on working with gloss, on this course I received not only inspiration but also precise instructions with all the documents and addresses !! This is just a godsend, I would not have compiled such a base in a year, thank you very much!
-
I learned about the courses from the Internet. A lot of information, a lot of new names... In the process of learning, everything is sorted out and it becomes clear what the world of gloss is.. The easiest thing was to understand how everything works, the most difficult thing was to put it all into practice) But, it seems to me, I did it. To anyone who has doubts, I definitely recommend it. You will learn sooooo many nuances and get a chance to be published and this is exactly what every photographer dreams of!
- At first I doubted whether I, a portrait photographer, need to know anything else, since I have already taken many courses in photography, but this is something new, this is not about composition and typical camera setup .. here about a completely new genre for me: fashion) ) this is also a portrait, but the one that will be published in VOGUE magazine and not the one that a friend will post on insta) And more features of working with a projector, also interesting! Highly recommend! I did not even know that there are so many publishing magazines)) now I will send my photos to the gloss!
- I have been looking at Jeanne's photographs on the Internet for a long time. It was a great stroke of luck that she released this course. I think I am not exaggerating too much if I say that this course is the most interesting thing that has happened to me in the last few years! I am new to photography and I am 39 years old. This course opened wide the door to a new dimension and gave a huge impetus to personal growth.